*Folklore and Mythology 98. Tutorial Junior Year
Catalog Number: 3685
Deborah D. Foster and members of the Committee
Half course (fall term; repeated spring term). Hours to be arranged.
Note: Required of all concentrators. The signature of the Head Tutor or of the Chairman of the Committee on Degrees in Folklore and Mythology must be obtained. Normally, this course is taken in the second semester of the junior year.
*Folklore and Mythology 99. Tutorial Senior Year
Catalog Number: 3886
Deborah D. Foster and members of the Committee
Full course. Hours to be arranged.
Note: Required of all concentrators. The signature of the Head Tutor or of the Chairman of the Committee on Degrees in Folklore and Mythology must be obtained. Students who wish to drop Folklore and Mythology 99 with credit at midyear must obtain the consent of the Chairman and submit a substantial paper on which a final fall term grade can be based.
[*Folklore and Mythology 103. Oral Literature]
Catalog Number: 5039 Enrollment: Limited to 12; as part of tutorial program, preference given to concentrators.
Deborah D. Foster
Half course (spring term). Hours to be arranged.
Introduction to oral literature in (some of) its social, historical and cultural contexts. Explores the dimensions of verbal performance by conducting fieldwork and reading transcribed (and sometimes translated) oral texts. Examines issues of orality and literacy, performance, transmission, and interpretation.
Note: Expected to be given in 200102. Required of all concentrators.
*Folklore and Mythology 104. Theory and Methodology of Folklore and Mythology
Catalog Number: 3311 Enrollment: Limited to 12; as part of tutorial program, limited to concentrators.
Joseph C. Harris
Half course (fall term). Th., 24:30. EXAM GROUP: 16, 17, 18
Introduction to the development of folklore and mythology as fields of study, with particular attention to the methodological approaches suited to their areas of enquiry. Surveys the study of folklore and mythology in the 19th and early 20th centuries, but focuses on theoretical contributions to the study of folklore, mythology, and oral literature in recent decades.
*Folklore and Mythology 105. Fieldwork and Ethnography in Folklore
Catalog Number: 3789 Enrollment: Limited to 12; as part of tutorial program, preference given to concentrators.
Deborah D. Foster
Half course (spring term). M., 24. EXAM GROUP: 7, 8
Interpretation of culture: issues and problems of ethnography. Examines problems of cultural interpretation that arise in the context of fieldwork. Both ethnographic and theoretical readings serve as the material for class discussion and the foundation for experimental ethnographic projects.
Note: Required of all concentrators.
[Folklore and Mythology 106. Myth, an Introduction]
Catalog Number: 5619
Joseph C. Harris
Half course (fall term). Hours to be arranged.
A sampling of the classical problems of and approaches to myth as sacred story, with emphasis on structuralist methods and comparative mythology. Primary material mainly drawn from the Indo-European language area, especially Northern Europe. Some attention to thematic clusters such as the goddess and the sacrificed son.
Note: Expected to be given in 200102. Readings in English.
Folklore and Mythology 108. Witchcraft
Catalog Number: 0340
Stephen A. Mitchell
Half course (spring term). Tu., Th., at 1.
Examines witchcraft from cross-cultural, historical, and literary points of view. Although witches and witchcraft are considered in their non-Western settings, the course focuses on events in Europe and America, tracing the development of the relatively mild reaction against demonism and wise women of the early Middle Ages into the witch craze of the 16th and 17th centuries. The portrayal of witches in folklore and literature is also considered.
[*Folklore and Mythology 109. Shamanism]
Catalog Number: 6540 Enrollment: Limited to 12.
James R. Russell
Half course (spring term). Hours to be arranged.
The shaman is a type of religious practitioner found in many cultures, who undergoes a calling, trauma, and initiatory training; during a ritualized drama, in an ecstatic state, he travels to other worlds, to obtain healing or information; and returns. Topics include: definition; the calling and dismemberment; costumes, dances, instruments, and the arts; poetry and the folk-tale; shamanistic hallucinogens; the question of possession and the politics of the field; otherworld geography; case studies of Siberian cultures, Tibet, Australia, Scythia, Iran, ancient Greece; shamanism and homosexuality; and Santeria and Vodoun.
Note: Expected to be given in 200102.
Folklore and Mythology 114. Embodied Expression/Expressive Body: Dance as a Medium of Cultural and Personal Meaning
Catalog Number: 7982 Enrollment: Limited to 16.
Deborah D. Foster
Half course (fall term). M., 25; occassional Friday afternoon dance workshops. EXAM GROUP: 7, 8, 9
This course will examine the ways in which the dancing body is both a site of personal experience and a sign of cultural meaning. By observing dance performances (live and on film), participating in dance workshops, and reading ethnographic and theoretical texts, we will attempt to come to understand the emergent meaning of dance performances, from the perspective of both dancer and observer.
[Folklore and Mythology 115. The African Oral Tradition]
Catalog Number: 5663
Deborah D. Foster
Half course (fall term). Hours to be arranged.
Introduction to African oral narratives, focusing on the nature of orality as it functions prior to and next to literacy in the African context. Examines the way in which symbol and metaphor work in oral art forms; considers methods of analysis of oral narrative, including structuralism, semiotics, and performance theory; looks at the creative and destructive antics of the trickster figure; and explores the oral residue in early African novels.
Note: Expected to be given in 200203.
Folklore and Mythology 150. Korean Folklore
Catalog Number: 2148
Timothy R. Tangherlini (University of California, Los Angeles)
Half course (fall term). Tu., Th., at 10. EXAM GROUP: 12
Introduction to the varied traditional cultural expressions of Korea. The main emphasis of the course is on Korean rituals (shamanistic and Confucian-influenced), folk narratives (myths, legends, folktales), folk performances (talchum and pansori) and folk music (primarily pungmul.) Other aspects of folk culture, such as food ways, clothing, material culture, festivals and architecture will also be explored. Whenever possible, the course will include explorations of the similarities between Korean traditions and those found in other East Asian countries as well as traditions of other more disparate cultures. In part, the course aims to identify what makes Korean traditional expressions Korean.
*Folklore and Mythology 191r. Supervised Reading and Research
Catalog Number: 3255
Stephen A. Mitchell 7056 and members of the Committee
Half course (fall term; repeated spring term). Hours to be arranged.
Advanced reading in topics not covered in regular courses.